"Seeking apprentice for highly paid job opportunity working for hazardous waste removal company. Willing to get their hands dirty. Relevant experience not necessary. Competitive remuneration package". Apply within.
Francine and Marla, employees of a hazardous waste removal company, are on the hunt for a new apprentice. Having just escaped a life of misfortune, Belinda walks through the door, ready for her interview. The process is absurd, but it’s not a problem for hopeful applicant Belinda who, unbeknownst to her future employees, is overqualified... VERY overqualified. Unfortunately, this job isn’t quite what it seems and someone is about to find themselves in a very sticky situation.
Following its success as part of Flux Theatre’s EMERGE Night at The Bunker in June 2019, BIN JUICE showcases this all-female dark comedy, showing the dirty side of an already filthy job. Supported by an award-winning team comprised of writer Catherine Kolubayev, director Anastasia Bruce-Jones and consultant producer Kitty Wordsworth, BIN JUICE is a story of loyalty, revenge and secrecy. We’re all hiding from something... or someone.
“Some jobs require getting your hands a little dirty... ”Book Now
Cat Kolubayev is a Russian-American writer-performer and graduate of LAMDA. Recent writing credits include ALGORITHM (Arcola, Women's Writes); Running (White Bear Theatre, CUCKOO Bang); CUBS (Churchill Theatre); READ MY LIPS (Jerry Orbach, NY/Colony Theatre, LA); THREE (Hen & Chicken) and SNAPSHOT (Soho Theatre) Winner of Alice Acting’s Young Writers’ Competition. Screen writing credits include FUNGUS (Best Writer at SLICKFilm Festival 2018). Catherine is also an associate writer of Flux Theatre.
Anastasia Bruce-Jones is a director and writer. She is currently working as Rob Icke's assistant dramaturg on The Doctor and assisting on horror short A Slight Chill for Fikus Films, alongside developing her own feature, False Positive. Anastasia's previous work includes: The Doctor (Almeida Theatre), The Amber Trap (Theatre503), The Tempest (USA and UK Tour), Romeo and Juliet (Cambridge Arts Theatre), LOUD // in Babel (Edinburgh Fringe), Some Flowers (short film).
Kitty Wordsworth is a freelance theatre, comedy and screen producer. She is executive producer and co-founder of Damsel Productions. Recent credits include Siblings (Soho Theatre); The Amber Trap (Theatre503); Fabric (Soho Theatre and London Tour); Grotty (The Bunker); Damsel Develops (The Bunker); Fury (Soho Theatre); Dry Land (Jermyn Street Theatre); Uncensored (Theatre Royal Haymarket); TABS (Tristan Bates Theatre); Snow White and the Seven Runaways (Tabernacle); The Naivety: A Journey (Tabernacle); Dick Whit (Tabernacle); The Snow Queen (Tabernacle); Peter Panto (Tabernacle); Brute (Soho Theatre) and Juliet Cowan: Eat, Pray, Call the Police (Live@Zedel). Associate theatre producer credits include: What Girls Are Made Of (Soho Theatre) and A Level Playing Field (Jermyn Street Theatre).Book Now
FRANCINE: ADELINE WABY (The Midwife, Acid Rainbow; In Place of Fear, Pleasance Theatre; Peter Pan Goes Wrong, Apollo Theatre)
MARLA: MADISON CLARE (Semi-Detached, BBC2; Captain Corelli's Mandolin, UK Tour/Harold Pinter Theatre; Plastic, Old Red Lion/Poleroid Theatre)
BELINDA: HELENA ANTONIOU: Against the Christians, VAULT Festival; Call the Midwife, BBC; Trial by Laughter, UK Tour/Watermill Theatre
LIGHTING DESIGNER: Holly Ellis (Something Awful, VAULT Festival; HOTTER, SOHO; Madame Ovary, Pleasance Edinburgh, London and UK Tour)
SOUND DESIGNER: Tingying Ling (Kraken, VAULT Festival; The First, VAULT Festival; Blood Orange, Old Red Lion Theatre)
GRAPHICS DESIGNER: Martha Hegarty
Praise for READ MY LIPS:
FORBES Magazine "Her writing was the highlight of the evening"
Praise for Fury:
Upcoming ★★★★ "An absolute triumph and a must-see"
Times ★★★★ "A vivid, vital 70 minutes. Impressive"
Independent ★★★★ "Powerful and horribly persuasive... this is a provocative piece that will keep you arguing long afterwards"
Evening Standard ★★★★ "A stylish a fluid in-the-round production"
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